Indoor air quality in historical buildings and museums is receiving increasing concern nowadays among the scientific community. Many sources of pollutants, both gases and particles, are responsible for the accelerated decay of the works of art. Knowing the levels of indoor pollutants is of critical importance to apply conservation and preservation strategies of cultural heritage [1, 2]. Air quality at the Ambrosiana Art Gallery in Milan has been monitored (in the two periods October-November 2017 and March 2018) inside the room where the preparatory cardboard of the School of Athens (1509-1511), one of most important masterpieces by Raffaello Sanzio, is stored. The cardboard is currently undergoing restoration and will be exposed in a new showcase that will be realized according to the specific environmental and microclimatic conditions of the room. The objective of this study was to monitor the concentration and chemical composition of the aerosol particulate matter (PM) up to the nano fraction, which represents the most dangerous fraction for the works of art surfaces. The monitoring campaigns have been carried out in parallel in the Raffaello room (at present not accessible to visitors) and in a nearby room open to visitors. The set of instuments employed included: a TSP sampler (total suspended particles) (Tecora, Pollution Check, Bravo M2); a DustMonit (Contec) analyzer that measures the concentration of dust up to PM1 and provides 13 granulometric classes (up to 300 nm); a NanoScan Nanoparticle sizer 3910 (TSI) instrument that measures particles concentration up to 10 nm; two instruments for the determination of black carbon (BC) in continuous and in particular a SILIIS instrument (Sphere-Integrated Laser Induced Incandescence Spectroscopy) and a micro aethalometer (AE51 Magee Scientific). Quartz fiber filters have been employed to collect TSP samples to be submitted to chemical analysis. The filters have been fully chemically characterized: main ionic constituents and the carbonaceous fraction (i.e organic carbon, OC and elemental carbon, EC) have been analyzed by IC (ion chromatography) and TOT (thermal optical transmittance) respectively. A particles morphological characterization has been carried out on PM collected on polycarbonate filters by means of SEM-EDX (scanning electron microscopy coupled with energy dispersive X-ray spectroscopy). Outdoor PM concentrations, obtained for the two seasons (autumn 2017 and spring 2018) from ARPA monitoring stations placed in the city center, have been correlated with indoor data.
An indoor air quality study at the Ambrosiana Art Gallery (Milan) / P. Fermo, V. Comite, S. De Iuliis, C. Giglioni, S. Gilardoni, D. Gulotta, F. Migliorini, E. Polvara, A. Marinoni, L. Toniolo. ((Intervento presentato al 17. convegno La tutela dell’Ambiente e dei Beni Culturali in un Mondo che cambia : Congresso Nazionale di Chimica dell’Ambiente e Beni Culturali tenutosi a Genova nel 2018.
An indoor air quality study at the Ambrosiana Art Gallery (Milan)
P. Fermo
Primo
;V. Comite;
2018
Abstract
Indoor air quality in historical buildings and museums is receiving increasing concern nowadays among the scientific community. Many sources of pollutants, both gases and particles, are responsible for the accelerated decay of the works of art. Knowing the levels of indoor pollutants is of critical importance to apply conservation and preservation strategies of cultural heritage [1, 2]. Air quality at the Ambrosiana Art Gallery in Milan has been monitored (in the two periods October-November 2017 and March 2018) inside the room where the preparatory cardboard of the School of Athens (1509-1511), one of most important masterpieces by Raffaello Sanzio, is stored. The cardboard is currently undergoing restoration and will be exposed in a new showcase that will be realized according to the specific environmental and microclimatic conditions of the room. The objective of this study was to monitor the concentration and chemical composition of the aerosol particulate matter (PM) up to the nano fraction, which represents the most dangerous fraction for the works of art surfaces. The monitoring campaigns have been carried out in parallel in the Raffaello room (at present not accessible to visitors) and in a nearby room open to visitors. The set of instuments employed included: a TSP sampler (total suspended particles) (Tecora, Pollution Check, Bravo M2); a DustMonit (Contec) analyzer that measures the concentration of dust up to PM1 and provides 13 granulometric classes (up to 300 nm); a NanoScan Nanoparticle sizer 3910 (TSI) instrument that measures particles concentration up to 10 nm; two instruments for the determination of black carbon (BC) in continuous and in particular a SILIIS instrument (Sphere-Integrated Laser Induced Incandescence Spectroscopy) and a micro aethalometer (AE51 Magee Scientific). Quartz fiber filters have been employed to collect TSP samples to be submitted to chemical analysis. The filters have been fully chemically characterized: main ionic constituents and the carbonaceous fraction (i.e organic carbon, OC and elemental carbon, EC) have been analyzed by IC (ion chromatography) and TOT (thermal optical transmittance) respectively. A particles morphological characterization has been carried out on PM collected on polycarbonate filters by means of SEM-EDX (scanning electron microscopy coupled with energy dispersive X-ray spectroscopy). Outdoor PM concentrations, obtained for the two seasons (autumn 2017 and spring 2018) from ARPA monitoring stations placed in the city center, have been correlated with indoor data.File | Dimensione | Formato | |
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