This essay analyzes the presence of the greguería in the works of three authors that started to publish in the ’90s, a period in which novels based on a harsh juvenile realism were very widespread. However, in that decade, Ramón Gómez de la Serna surprisingly was taken as a model by Juan Manuel de Prada and Juan Bonilla, while his influence in the texts of Ray Loriga is subtler and not so obvious, because his less exuberant writing tends to combine the greguería’s perspicacity with the laconicism of song lyrics and the prose of Marguerite Duras. For the first two writers it was a way to rebel against the dominant realism through a caustic or a witty humour, whilst in Loriga that aphoristic style was determined by a personal approach due to his sensibility and his melancholic rebellion against society.

Ramonismos contemporáneos : la greguería en las obras de Juan Manuel de Prada, Juan Bonilla y Ray Loriga / S. Cattaneo. - In: CUADERNOS DE INVESTIGACIÓN FILOLÓGICA. - ISSN 1699-292X. - 40:(2014), pp. 115-147.

Ramonismos contemporáneos : la greguería en las obras de Juan Manuel de Prada, Juan Bonilla y Ray Loriga

S. Cattaneo
2014

Abstract

This essay analyzes the presence of the greguería in the works of three authors that started to publish in the ’90s, a period in which novels based on a harsh juvenile realism were very widespread. However, in that decade, Ramón Gómez de la Serna surprisingly was taken as a model by Juan Manuel de Prada and Juan Bonilla, while his influence in the texts of Ray Loriga is subtler and not so obvious, because his less exuberant writing tends to combine the greguería’s perspicacity with the laconicism of song lyrics and the prose of Marguerite Duras. For the first two writers it was a way to rebel against the dominant realism through a caustic or a witty humour, whilst in Loriga that aphoristic style was determined by a personal approach due to his sensibility and his melancholic rebellion against society.
El presente ensayo analiza la presencia de la greguería en las obras de tres autores que empezaron a publicar en los años 90 del siglo XX, cuando estaba en alza una novela marcada por un crudo realismo juvenil, entre las aristas del cual afloró un sorprendente redescubrimiento de Ramón Gómez de la Serna, cuya influencia es notoria en Juan Manuel de Prada y Juan Bonilla, mientras que se refleja de forma sesgada en Ray Loriga, ya que su pluma, más escueta, pule la greguería a través de la canción y del magisterio de Marguerite Duras. En el caso de los primeros se asiste a una contraposición cáustica o humorística con respecto al realismo literario dominante, en cambio para Loriga se trata de una visión personal, debida tanto a una inclinación anímica como a una melancólica rebelión contra la sociedad.
Juan Manuel de Prada; Juan Bonilla; Ray Loriga; Ramón Gómez de la Serna; greguerías; narrativa española del siglo XX
Settore L-LIN/05 - Letteratura Spagnola
2014
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2434/261415
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