'Organisten' (The Organist, 2006) is an essay in dialogic form, in which Petter Amundsen illustrates to the Norwegian writer Erlend Loe his hypothesis on Shakespeare's identity, in fact a new version of the Baconian theory. This article focuses on Loe's attitude while listening to this theory. Amundsen is an organist by profession and no expert in the field of Shakespearean studies. Therefore, Erlend is mistrustful at first, but he becomes more and more fascinated by his interlocutor's explanation. He especially appreciates Erlend's enthusiasm and commitment to his project. Moreover, questioning a highly praised name such as Shakespeare, he offers the opportunity to defy a commonly acknowledged truth - a particularly intriguing circumstance in Loe's eyes.
"What's in a name?". Erlend Loe e il 'mistero' dell'identità di Shakespeare / A. Meregalli. - In: STRATAGEMMI. - ISSN 2036-5233. - 24 (dicembre 2012)-25 (marzo 2013):(2013), pp. 297-308. ((Intervento presentato al convegno Shakespeare in the Maze of Contemporary Culture. Shakespeare nei labirinti del contemporaneo tenutosi a Milano nel 2012.
"What's in a name?". Erlend Loe e il 'mistero' dell'identità di Shakespeare
A. MeregalliPrimo
2013
Abstract
'Organisten' (The Organist, 2006) is an essay in dialogic form, in which Petter Amundsen illustrates to the Norwegian writer Erlend Loe his hypothesis on Shakespeare's identity, in fact a new version of the Baconian theory. This article focuses on Loe's attitude while listening to this theory. Amundsen is an organist by profession and no expert in the field of Shakespearean studies. Therefore, Erlend is mistrustful at first, but he becomes more and more fascinated by his interlocutor's explanation. He especially appreciates Erlend's enthusiasm and commitment to his project. Moreover, questioning a highly praised name such as Shakespeare, he offers the opportunity to defy a commonly acknowledged truth - a particularly intriguing circumstance in Loe's eyes.Pubblicazioni consigliate
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