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Mostrati risultati da 1 a 12 di 12
‘Farmer and Servant’ : H. I. E. Dhlomo’s Conception of Modern Slavery
2019 M. Fossati
Complexity, Hybridity, and Elusiveness in Zoë Wicomb’s You Can’t Get Lost in Cape Town
2019 M. Fossati
‘Minor’ Protagonists? Outcasts and Outsiders as Resistance in Zoë Wicomb’s You Can’t Get Lost in Cape Town
2019 M. Fossati
'All Chinese boxes, hey, where will it all end?’ : ‘Trompe L’Oeil’ e gioco metafinzionale in The One That Got Away di Zoë Wicomb
2020 M. Fossati
Minor Characters and the Short Story Cycle: The Emergence of Liminal Identities in Zoë Wicomb’s You Can’t Get Lost in Cape Town
2020 M. Fossati
Eveline, Elsie, and the politics of paralysis: Echoes of Dubliners in Zoë Wicomb’s “Nothing Like the Wind”
2020 M. Fossati
South Africa, Scotland, and Displacement. Crisis in Zoë Wicomb’s The One That Got Away
2021 M. Fossati
Journalism and the Black Short Story in English in Twentieth-Century South Africa: From R. R. R. Dhlomo to Miriam Tlali
2021 M. Fossati
Literariness and genre mobility: journalistic features in the short stories by Herbert Dhlomo
2021 M. Fossati
A Minor Genre for a Contested Literature: The Short Stories by Can Themba and Alex La Guma
2021 M. Fossati
Detective Stories During Apartheid: H.I.E. Dhlomo as a Precursor of Drum
2021 M. Fossati
WHEN AESTHETICS MEETS ETHICS: THE SOUTH AFRICAN SHORT STORY IN ENGLISH, 1920-2010
2022 M. Fossati
Mostrati risultati da 1 a 12 di 12
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