The article presents the ethnographic account of a particular audience development project, T.A.S.K. (Theatre Audience Specific Keys), implemented by the Teatro della Tosse (Genova) as an original initiative focused on the engagement of young non-attenders (19-25). In particular, the research aims to understand the lived experience of all the people involved in the project, and the reactions of nonattenders to a range of live performances they experienced under study conditions. The T.A.S.K. project has resulted in much more than a data-gathering or datagenerating exercise. Instead it has become a form of participatory enquiry, where both the T.A.S.K. members and the audience members were actively engaged in the process of making sense of their experiences for themselves.
Audience Participassion : professionisti e pubblici teatrali tra partecipazione e passione / F. Boni, O. Ricci. - In: SOCIOLOGIA DELLA COMUNICAZIONE. - ISSN 1121-1733. - 56:2(2018), pp. 65-81. [10.3280/SC2018-056005]
Audience Participassion : professionisti e pubblici teatrali tra partecipazione e passione
F. Boni;
2018
Abstract
The article presents the ethnographic account of a particular audience development project, T.A.S.K. (Theatre Audience Specific Keys), implemented by the Teatro della Tosse (Genova) as an original initiative focused on the engagement of young non-attenders (19-25). In particular, the research aims to understand the lived experience of all the people involved in the project, and the reactions of nonattenders to a range of live performances they experienced under study conditions. The T.A.S.K. project has resulted in much more than a data-gathering or datagenerating exercise. Instead it has become a form of participatory enquiry, where both the T.A.S.K. members and the audience members were actively engaged in the process of making sense of their experiences for themselves.File | Dimensione | Formato | |
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