In this Introductory essay to the Volume Dickens and Italy: 'Little Dorrit' and 'Pictures from Italy' Orestano indicates the variety of critical responses scholars have contributed to the collection: they vary from a political assessment of the situation of the Italian states, to a response to Catholicism and its rites, to the analysis of landscape representation in terms which connect Pictures from Italy to fiction or to tourist guides.
Introduction / M. Hollington, F. Orestano - In: Dickens and Italy: 'Little Dorrit' and 'Pictures from Italy' / M. Hollington , F. Orestano , D. Paroissien , N. Bradbury , C. Louttit , L. Ormond , F. Orestano , N. Vanfasse , S. Ledger , V. Kennedy , D. Ellison , M. Verzella , V. Sage , P. Vita , D. Janes , G. Joseph , C. Huguet , M-A. Coste , D. Parker , L. Lo , M. Baumgarten ; [a cura di] M. Hollington , F. Orestano. - Newcastle upon Tyne : Cambridge Scholars Publishing, 2009 Dec. - ISBN 978 1 4438 1443 0. - pp. xx-xxvi (( convegno Dickens, Victorian Culture , Italy tenutosi a Genova nel 2007.
Introduction
F. OrestanoUltimo
2009
Abstract
In this Introductory essay to the Volume Dickens and Italy: 'Little Dorrit' and 'Pictures from Italy' Orestano indicates the variety of critical responses scholars have contributed to the collection: they vary from a political assessment of the situation of the Italian states, to a response to Catholicism and its rites, to the analysis of landscape representation in terms which connect Pictures from Italy to fiction or to tourist guides.
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